An independent scholarly archive · Est. 2026 · New Delhi
A Textile Archive
The Krishna Lal Collection
Home/Collection/Uttar Pradesh/KL/22/2024◂ PreviousObject 22 of 55Next ▸
Varanasi Brocade · Uttar Pradesh

Dupion Silk Banarasi Sari

KL/22/2024 · Accession218" × 45"Varanasi BrocadeCatalogued 19.05.2024Good condition
↗ Cite↧ Download record★ Save
KL/22/2024 · PLATE 01
IIIF DEEP-ZOOM · 8400 × 10500
10 cm
Full Object — Front — high-resolution archival photograph
© The Krishna Lal Collection · Photography by [studio] · Licensed CC BY-NC-SA 4.0 for scholarly use. Request high-resolution access via Research Office.
Catalogue Record

Object Metadata

Accession Number
KL/22/2024
Object Title
Dupion Silk Banarasi Sari
Production State
Uttar Pradesh
Craft Tradition
Varanasi Brocade
Craft Technique
Handloom weaving
Weave Type
Plain weave
Primary Materials
Dupion silk · Zari
Tradition
Banarasi
Dimensions
218" × 45" (L × W)
Colour Palette
TealGold
Condition
Good — Stable, no active deterioration
Current Location
The Krishna Lal Collection, New Delhi
Documented By
Sareekah Agarwaal
Documented On
19.05.2024
Schema Standard
Getty Art & Architecture Thesaurus (AAT)
§ I — Curatorial Narrative
by Sareekah Agarwaal, 2024

A handwoven cutwork Banarasi sari, crafted from dupion silk, boasts a shimmering texture with distinctive slubs that give it a unique feel.

The sari features lotus-like motifs in shiny gold zari spread across the body, enhancing its luxurious appeal. One of the lengthwise sides has a chevron-patterned border, while the other side features a bel (floral running scroll border) comprising lotus flowers, also completed with the chevron pattern.

The same intricate border runs across the pallu (end-piece) at intervals, forming a rectangular compartment densely woven with floral butis in a jaal pattern. The rich colour of the sari further enhances its royal and opulent look.

Footnotes
  1. 1 See Mohanty, B.C., Ikat Fabrics of Orissa and Andhra Pradesh, Calico Museum, 1980.
  2. 2 Field interview, master weaver, March 2024.
  3. 3 Refer to motif index entries below.
§ II — Motif Analysis
2 motifs identified
Paisley
बूटा (कैरी)

Mango or cypress; eternal fertility and life. Identified across the body butis and border of this object.

Open motif entry
Vines
लताएँ

Continuity; the rhythm of nature. Identified across the creeping borders of this object.

Open motif entry
§ III — Technique
Varanasi Brocade

Varanasi
Brocade

Several of India's painted-textile traditions descend directly from ritual wall and floor art: Madhubani from the Mithila murals of Bihar, Warli from the Adivasi wall paintings of Maharashtra, Sohrai from the harvest art of eastern India. Applied to silk and cotton with natural pigments and bamboo or twig pens, they carry a graphic, narrative density unlike any woven design.

STEP 01
Prime the cloth
STEP 02
Sketch the composition
STEP 03
Fill with natural pigments
STEP 04
Outline and detail
Open technique family
DIAGRAM — Hand Painting process
Fig. III.1 · Hand Painting · Pigments on cloth
§ IV — Cross-Linked Discovery

Related Objects in the Collection

Cite This Object
Agarwaal, S. (2024). Dupion Silk Banarasi Sari (KL/22/2024). The Krishna Lal Collection: An Archive of Indian Textile Traditions. Retrieved 01 Jun 2026 from krishnalal-collection.org/collection/kl-22-2024.
ChicagoMLAAPABibTeX
Institutional Access
High-resolution archival files and physical examination access are available to museums and accredited researchers.
Open Research Inquiry