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Odisha handloom weaving · Odisha

Cuttacki Sari with Sunflower Design

KL/30/2024 · Accession217" × 46"Odisha handloom weavingCatalogued 20.07.2024Good condition
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KL/30/2024 · PLATE 01
IIIF DEEP-ZOOM · 8400 × 10500
10 cm
Full Object — Front — high-resolution archival photograph
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Catalogue Record

Object Metadata

Accession Number
KL/30/2024
Object Title
Cuttacki Sari with Sunflower Design
Production State
Odisha
Craft Tradition
Odisha handloom weaving
Craft Technique
Handloom weaving
Weave Type
Plain weave
Primary Materials
Silk
Tradition
Cuttacki
Dimensions
217" × 46" (L × W)
Colour Palette
YellowMaroon
Condition
Good — Stable, no active deterioration
Current Location
The Krishna Lal Collection, New Delhi
Documented By
Sareekah Agarwaal
Documented On
20.07.2024
Schema Standard
Getty Art & Architecture Thesaurus (AAT)
§ I — Curatorial Narrative
by Sareekah Agarwaal, 2024

A handwoven Cuttacki single ikat sari in pure silk showcases elegant floral borders running lengthwise, enclosed within extra-warp rudraksha borders on both sides.

Four rows of dotted designs, meticulously crafted in single ikat, create a diagonal checkered pattern on the body of the sari.

Each box contains a sunflower-like motif, resembling the sun shining brightly from a distance.

Dotted lines in extra weft adorn the pallu (end-piece), showcasing an array of thin and thick panels with vibrant floral motifs in red, green, and yellow, enhancing its visual appeal.

Footnotes
  1. 1 See Mohanty, B.C., Ikat Fabrics of Orissa and Andhra Pradesh, Calico Museum, 1980.
  2. 2 Field interview, master weaver, March 2024.
  3. 3 Refer to motif index entries below.
§ II — Motif Analysis
2 motifs identified
Vines
लताएँ

Continuity; the rhythm of nature. Identified across the creeping borders of this object.

Open motif entry
Geometric
ज्यामिति

Cosmic order; mathematical harmony in weave. Identified across the woven ground of this object.

Open motif entry
§ III — Technique
Odisha handloom weaving

Odisha Handloom
Weaving

Several of India's painted-textile traditions descend directly from ritual wall and floor art: Madhubani from the Mithila murals of Bihar, Warli from the Adivasi wall paintings of Maharashtra, Sohrai from the harvest art of eastern India. Applied to silk and cotton with natural pigments and bamboo or twig pens, they carry a graphic, narrative density unlike any woven design.

STEP 01
Prime the cloth
STEP 02
Sketch the composition
STEP 03
Fill with natural pigments
STEP 04
Outline and detail
Open technique family
DIAGRAM — Hand Painting process
Fig. III.1 · Hand Painting · Pigments on cloth
§ IV — Cross-Linked Discovery

Related Objects in the Collection

Cite This Object
Agarwaal, S. (2024). Cuttacki Sari with Sunflower Design (KL/30/2024). The Krishna Lal Collection: An Archive of Indian Textile Traditions. Retrieved 01 Jun 2026 from krishnalal-collection.org/collection/kl-30-2024.
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