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Handloom weaving · Gujarat

Nandi Bull Sari

KL/39/2024 · Accession215" × 46"Handloom weavingCatalogued 13.11.2024Good condition
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KL/39/2024 · PLATE 01
IIIF DEEP-ZOOM · 8400 × 10500
10 cm
Full Object — Front — high-resolution archival photograph
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Catalogue Record

Object Metadata

Accession Number
KL/39/2024
Object Title
Nandi Bull Sari
Production State
Gujarat
Craft Tradition
Handloom weaving
Craft Technique
Handloom weaving
Weave Type
Plain weave
Primary Materials
Silk
Tradition
Handloom
Dimensions
215" × 46" (L × W)
Colour Palette
CreamBlack
Condition
Good — Stable, no active deterioration
Current Location
The Krishna Lal Collection, New Delhi
Documented By
Sareekah Agarwaal
Documented On
13.11.2024
Schema Standard
Getty Art & Architecture Thesaurus (AAT)
§ I — Curatorial Narrative
by Sareekah Agarwaal, 2024

A handloom-woven dupion silk sari featuring Nandi motifs (the sacred bull of Lord Shiva) brought to life through a supplementary cotton weft.

The intricate weaving technique creates a striking diagonal ribbing effect, adding texture and depth to the motifs, making them appear almost appliqued onto the fabric.

Each Nandi is further accentuated with delicate red machine embroidery, skilfully outlining its facial features, coverlet, and jewellery, infusing the design with vibrancy and character.

Framing the sari is a golden zari border, inspired by the traditional Nizam border of Mangalagiri saris.

Footnotes
  1. 1 See Mohanty, B.C., Ikat Fabrics of Orissa and Andhra Pradesh, Calico Museum, 1980.
  2. 2 Field interview, master weaver, March 2024.
  3. 3 Refer to motif index entries below.
§ II — Motif Analysis
2 motifs identified
Temple
मंदिर

Gateway; sacred geometry of the south. Identified across the border and pallu of this object.

Open motif entry
Geometric
ज्यामिति

Cosmic order; mathematical harmony in weave. Identified across the woven ground of this object.

Open motif entry
§ III — Technique
Handloom weaving

Handloom
Weaving

Several of India's painted-textile traditions descend directly from ritual wall and floor art: Madhubani from the Mithila murals of Bihar, Warli from the Adivasi wall paintings of Maharashtra, Sohrai from the harvest art of eastern India. Applied to silk and cotton with natural pigments and bamboo or twig pens, they carry a graphic, narrative density unlike any woven design.

STEP 01
Prime the cloth
STEP 02
Sketch the composition
STEP 03
Fill with natural pigments
STEP 04
Outline and detail
Open technique family
DIAGRAM — Hand Painting process
Fig. III.1 · Hand Painting · Pigments on cloth
§ IV — Cross-Linked Discovery

Related Objects in the Collection

Cite This Object
Agarwaal, S. (2024). Nandi Bull Sari (KL/39/2024). The Krishna Lal Collection: An Archive of Indian Textile Traditions. Retrieved 01 Jun 2026 from krishnalal-collection.org/collection/kl-39-2024.
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