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Kathiawad embroidery · Gujarat

Sindhi Taropa Sari, Mirror Work

KL/38/2024 · Accession215" × 46"Kathiawad embroideryCatalogued 11.11.2024Good condition
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KL/38/2024 · PLATE 01
IIIF DEEP-ZOOM · 8400 × 10500
10 cm
Full Object — Front — high-resolution archival photograph
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Catalogue Record

Object Metadata

Accession Number
KL/38/2024
Object Title
Sindhi Taropa Sari, Mirror Work
Production State
Gujarat
Craft Tradition
Kathiawad embroidery
Craft Technique
Hand embroidery; Mirror work
Weave Type
Plain weave ground, hand-embroidered
Primary Materials
Silk · Mirrors
Tradition
Kathiawad
Dimensions
215" × 46" (L × W)
Colour Palette
MaroonYellow
Condition
Good — Stable, no active deterioration
Current Location
The Krishna Lal Collection, New Delhi
Documented By
Sareekah Agarwaal
Documented On
11.11.2024
Schema Standard
Getty Art & Architecture Thesaurus (AAT)
§ I — Curatorial Narrative
by Sareekah Agarwaal, 2024

A hand-embroidered organdy sari, adorned with exquisite Sindhi taropa embroidery, renowned for its intricate geometric patterns.

The finely crafted border runs along the length of the sari on both sides, extending seamlessly to the widthwise edge of the end piece. At the heart of the design lies the signature Sindhi taropa diamond butis, created through a meticulous interlacing of threads that demands exceptional precision.

These butis are framed within a traditional Sindhi narrow border, enhancing the embroidery’s structural composition. Adding a touch of brilliance, delicate mirrors are affixed in a ‘V’ pattern, lending a shimmering contrast to the intricate thread work.

The body of the sari is intentionally left plain, allowing the ornate borders to take centre stage, lending the sari an air of understated sophistication.

Footnotes
  1. 1 See Mohanty, B.C., Ikat Fabrics of Orissa and Andhra Pradesh, Calico Museum, 1980.
  2. 2 Field interview, master weaver, March 2024.
  3. 3 Refer to motif index entries below.
§ II — Motif Analysis
2 motifs identified
Elephant
गज

Royalty, strength, ceremonial power. Identified across the pallu panel of this object.

Open motif entry
Geometric
ज्यामिति

Cosmic order; mathematical harmony in weave. Identified across the woven ground of this object.

Open motif entry
§ III — Technique
Kathiawad embroidery

Kathiawad
Embroidery

Embroidery in India is regionally codified to an extraordinary degree: each tradition has its own stitches, its own colour palette, its own placement on the garment, and often its own historical practitioner community. The Krishna Lal Collection holds eight major embroidery traditions — from the running-stitch lyricism of Bengali kantha to the floral darning of Punjabi phulkari and the white-on-white delicacy of Lucknowi chikankari.

STEP 01
Lay the ground cloth
STEP 02
Transfer the design
STEP 03
Embroider stitch by stitch
STEP 04
Wash and finish
Open technique family
DIAGRAM — Hand Embroidery process
Fig. III.1 · Hand Embroidery · Surface ornamentation
§ IV — Cross-Linked Discovery

Related Objects in the Collection

Cite This Object
Agarwaal, S. (2024). Sindhi Taropa Sari, Mirror Work (KL/38/2024). The Krishna Lal Collection: An Archive of Indian Textile Traditions. Retrieved 01 Jun 2026 from krishnalal-collection.org/collection/kl-38-2024.
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