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Mangalagiri sari weaving · Andhra Pradesh

Mangalagiri with Nizam Border

KL/16/2024 · Accession215" × 46"Mangalagiri sari weavingCatalogued 16.05.2024Good condition
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KL/16/2024 · PLATE 01
IIIF DEEP-ZOOM · 8400 × 10500
10 cm
Full Object — Front — high-resolution archival photograph
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Catalogue Record

Object Metadata

Accession Number
KL/16/2024
Object Title
Mangalagiri with Nizam Border
Production State
Andhra Pradesh
Craft Tradition
Mangalagiri sari weaving
Craft Technique
Handloom weaving
Weave Type
Plain weave
Primary Materials
Cotton · Zari
Tradition
Mangalagiri
Dimensions
215" × 46" (L × W)
Colour Palette
MustardMaroon
Condition
Good — Stable, no active deterioration
Current Location
The Krishna Lal Collection, New Delhi
Documented By
Sareekah Agarwaal
Documented On
16.05.2024
Schema Standard
Getty Art & Architecture Thesaurus (AAT)
§ I — Curatorial Narrative
by Sareekah Agarwaal, 2024

A handwoven traditional Mangalagiri handloom cotton sari that derives its name from the town of Mangalagiri in Guntur district, Andhra Pradesh.

Exclusively woven on a pit loom with finer counts of cotton yarn, the sari features a dense weave, resulting in a crisp-finish cotton fabric. The body of the sari is plain, accentuated by a distinctive Nizam border in pure gold zari on both the top and bottom sides, complemented by a striped pallu of zari threads.

The plain body, devoid of any design, reflects the Mangalagiri weavers’ focus on creating a robust fabric that ensures longevity. The understated design and durability of the cotton make this sari an eternal classic.

Footnotes
  1. 1 See Mohanty, B.C., Ikat Fabrics of Orissa and Andhra Pradesh, Calico Museum, 1980.
  2. 2 Field interview, master weaver, March 2024.
  3. 3 Refer to motif index entries below.
§ II — Motif Analysis
1 motif identified
Geometric
ज्यामिति

Cosmic order; mathematical harmony in weave. Identified across the woven ground of this object.

Open motif entry
§ III — Technique
Mangalagiri sari weaving

Mangalagiri Sari
Weaving

Several of India's painted-textile traditions descend directly from ritual wall and floor art: Madhubani from the Mithila murals of Bihar, Warli from the Adivasi wall paintings of Maharashtra, Sohrai from the harvest art of eastern India. Applied to silk and cotton with natural pigments and bamboo or twig pens, they carry a graphic, narrative density unlike any woven design.

STEP 01
Prime the cloth
STEP 02
Sketch the composition
STEP 03
Fill with natural pigments
STEP 04
Outline and detail
Open technique family
DIAGRAM — Hand Painting process
Fig. III.1 · Hand Painting · Pigments on cloth
§ IV — Cross-Linked Discovery

Related Objects in the Collection

Cite This Object
Agarwaal, S. (2024). Mangalagiri with Nizam Border (KL/16/2024). The Krishna Lal Collection: An Archive of Indian Textile Traditions. Retrieved 01 Jun 2026 from krishnalal-collection.org/collection/kl-16-2024.
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